Guests with other engagements were taking their leave. A piquante little woman, outrageously but effectively dressed—she looked like a drawing by Beardsley—drew her aside. “I’ve always wished I were a man,” she said. “It seemed to me that they had all the power. From this afternoon, I shall be proud of belonging to the governing sex.” “It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.”!

He seemed relieved. “That’s what’s so wonderful about you,” he said. “I’ve met plenty of clever, brilliant women, but one could forget that they were women. You’re everything.” The speaker sat a little way apart. The light from the oil lamp, suspended from the ceiling, fell upon his face. He wore a peasant’s blouse. It seemed to her a face she knew. Possibly she had passed him in the village street and had looked at him without remembering. It was his eyes that for long years afterwards still haunted her. She did not notice at the time what language he was speaking. But there were none who did not understand him.

Joan was about to offer comment, but was struck dumb with astonishment on hearing McKean’s voice: it seemed he could talk. He was telling of an old Scotch peasant farmer. A mean, cantankerous old cuss whose curious pride it was that he had never given anything away. Not a crust, nor a sixpence, nor a rag; and never would. Many had been the attempts to make him break his boast: some for the joke of the thing and some for the need; but none had ever succeeded. It was his one claim to distinction and he guarded it. The child raised her eyes. There was a dull anger in them. “Oh, what’s the good of pretending,” she said. “He’s so great. He could be the Prime Minister of England if he chose. But then he would have to visit kings and nobles, and receive them at his house, and Mama—” She broke off with a passionate gesture of the small thin hands. “Yes, I do,” said Joan. “I like you, sometimes.”